"…Patrons who came to see Ewan McAnuff's actual 'Coconut Man' which was reproduced on the invitation, were not disappointed as he, too, delivered practical illustrations of Jamaica, for example, in his 'Wash Day' and 'Man and Dog', a welcome change from his known landscapes…"

The album covers demonstrated how Bob and other musicians affected the Rastafarian and Jamaican Culture," added Dacres. The presentation of the album covers (on loan from Tuff Gong studios) depicted the various stages in Bog's Life--the young angry radical Bob, through to the spiritual icon and on to the thoughtful Marley.
Paintings that stood out were 'Reggae Tree' and 'Time Will Tell', a reflection of harsh social realities, paired with soothing words from Marley's
Three Little Birds…"